Grete Stern      Dream No. 38      1949

Anonymous asked: Hi, do you know where can I get a high resolution picture of this Moholy-Nagy photomontage?

Sorry, but I don’t.  I’ve only found low resolution images on the internet.  My best suggestion would be for you to go to a library and scan it yourself from a book of Moholy-Nagy’s works.  That way you can actually control what you’re getting and you can determine the degree of its resolution.

Anonymous asked: Pretty sure you've always wanted to see me naked.. Well.. I'm feeling pretty adventurous today so go to datelink3[dot]com (switch [dot] with .) then sign up and find my profile under the username 'lolsummer69'. I hid my face in the pictures. but I want you to guess who I am and then hit me up on Facebook lol. Good luck.

You’re so, so right.  I HAVE always wanted to see you naked.  I’ve never before laid my innocent eyes on an unclad silicon chip and there’s no moment like the present to remedy that sad fact.  Plus, anyone…or anything with a screen name like “lolsummer69” has to be sharper than the proverbial tack and hotter than scorching.

amare-habeo:

Max Ernst (Brühl 1891 - 1976 Paris) - Santa Conversazione, 1921

zeigarnik:

Jaroslav Rossler

theticketthatexploded:

Marianne Brandt, Help Out! (The Liberated Woman) (Helfen Sie mit! [Die Frauenbewegte]), 1926.

(via Marianne Brandt: Life in Design - Dieselpunks)

theticketthatexploded:

Marianne Brandt (German, 1893–1983) Untitled, c. 1930 photomontage (printed matter) National Gallery of Art, Washington, Gift of the Pepita Milmore Memorial Fund, the R.K. Mellon Family Foundation, and Thomas Walther

(via NGA: Foto: Modernity in Central Europe, 1918–1945)

André Breton     Automatic Writing, Self-portrait Photomontage     1938

Leonor Fini, c. 1930

akubizone:

fuckyeah-arthistory:

Dada Ernst - Hannah Höch, 1920-21

In Dada Ernst Höch questions the role of women in the new society. A pair of legs with money and a man’s eye placed between them are the main focus of the picture. A bow like machine links money with a gymnast who symbolizes the modern athletic woman. At her side a bare backed woman playing a trumpet symbolizes women’s femininity. Höch juxtaposes the modern images of mental (symbolizing machinery) against the woman’s flesh (symbolizing femininity) raising questions regards women’s sexuality in the modern world under the watchful eye of the male gender. Through this images Höch creates an unsettling view as she address the hopes and fears of the new woman.

I love her.